metaCage investigates the musical practice of John Cage in four essays written by current ORCiM Fellows. Three works (Fontana Mix, Aria and Freeman Etudes) serve as threads that link the contributions, and a CD containing performances of these works, by the ORCiM Fellows, is included with the volume.  The essays embrace both compositional practice, as viewed by musicologically-oriented performers Juan Parra Cancino and Mieko Kanno, and Cage's aesthetic framework, explored by practice-based musicologists Magnus Andersson and William Brooks.

• 664 | Muziekwetenschap

• Number of pages: 104
• Width: 170 cm
• Height: 240 cm

• Juan Parra Cancino, Author (all publications from this author/editor with Leuven University Press)
  

  is research fellow at Orpheus Research Centre in Music [ORCiM], Ghent.

• Magnus Andersson, Author (all publications from this author/editor with Leuven University Press)
  

  is associate researcher at Orpheus Research Centre in Music [ORCiM], Ghent and research fellow at the Norwegian Academy of Music.

• Mieko Kanno, Author (all publications from this author/editor with Leuven University Press)
  

  is senior researcher at Orpheus Research Centre in Music [ORCiM], Ghent, head of Performance at the Department of Music, Durham University, U.K. and director of Durham University's Research Centre for Contemporary Music (CCM), U.K.

• William Brooks, Author (all publications from this author/editor with Leuven University Press)
  

  is visiting senior researcher at Orpheus Research Centre in Music [ORCiM], Ghent, Professor of Music at the University of York, U.K. and associate professor emeritus at the University of Illinois, U.S.A.